
Wednesday, October 30, 2013
Live-action Searle
The Ronald Searle YouTube channel continues to delight-added recently is a film I've long searched for in vain- 'The King's Breakfast'. One of two live-action short films Searle collaborated on with director & choreographer Wendy Toye. Searle designed the decor & costumes and painted the sets too so it's like watching actors enter a Searle picture. Check out the 'King's Breakfast' here and 'On The Twelfth Day' here. The two first worked together on a stage play 'Wild Thyme'


Labels:
On the Twelfth Day,
The King's Breakfast,
Wendy Toye
Friday, October 25, 2013
A Line on Satire
Here's an exciting development for the weekend- Ronald Searle is on YouTube! He has his own channel with many rare films, including this one below from 1958. See Ronald draw! See Ronald in the bath!
The BBC's Omnibus from 1976 'A Step In The Jungle' can be found there too and also John Lennon talking about the influence of Searle on his creative development.
Courtesy of the Ronald Searle Cultural Estate
Wednesday, October 02, 2013
Research help!
I'm still looking for any leads on Searle artwork that may be relevant to my book project 'Searle In America'. I'd love to know more details & track down the originals/owners of the following:
'A CBS outside broadcast'
'A lazy day, Central Park, New York '
Sold at Christie's, London, South Kensington 21 March2007
Sale 5109 British & Continental Watercolours & Maritime Paintings
signed, inscribed and dated 'Ronald Searle/Central Park/June 1957 - New York' (lower right)
pen and brown ink 9¾ x 14 in. (24.8 x 35.6 cm.)
'ALASKA', 1962
'ICE HOCKEY'
'PALM SPRINGS, CALIFORNIA'
'SPECTATORS FOR THE LARGEST SINGLE CHEESE EVER PRODUCED'
'WHO KILLED HOLLYWOOD SOCIETY?'
'A CBS outside broadcast'
Actress Bea Arthur, standing maid by Ronald Searle
Ronald Searle | |
| Title | Wildcat Mountain, Pinkham Notch, New Hampshire: A skiing scene |
| Medium | Gouache and Watercoloron board |
| Size | Height 15.1 in.; Width 20.1 in. / Height 38.4 cm.; Width 51.1 cm. |
Anyone with information please leave a comment below or contact me at the email address in my Blogger profile
Last appeal for help
Last appeal for help
Sunday, September 01, 2013
ADAM
A nice find in the King's College London Archives here
'Design by Ronald Searle for Adam International Review.
Adam International Review was a literary magazine published in English and French, (its title, ADAM, an acronym for Arts, Drama, Architecture and Music) and edited by Miron Grindea (1909 - 1995).
Its archive is held by King's College Archives.
The illustration was published in 1949 and shows Grindea (as Adam) with TS Eliot as a guardian angel, defending Adam from critics including Cyril Connolly.'
Searle later caricatured T.S.Eliot again for Punch magazine's 'Heroes of Our Time'.
Searle used the William Blake-like 'avenging angel' motif on several occasions throughout his career.
'ADAM AND EVE AND THE FLAMING SWORD OF P.C.'
Searle used the William Blake-like 'avenging angel' motif on several occasions throughout his career.
'ADAM AND EVE AND THE FLAMING SWORD OF P.C.'
Monday, August 26, 2013
'The Mahogany Tree'
British satirical magazine Punch famously had a table installed at their offices where the subject of the week's political cartoon would be decided. A seat at the table was strictly reserved for members only but on the 7th April 1953 Searle was the first guest since Mark Twain to be permitted to observe proceedings. He was later to become the youngest member of the Punch cabal, his beard only just tolerated by the older men! 'At the invitation of the new editor, Malcolm Muggeridge, a self- confessed 'addict' of Searle's work who wished to bind him closer to the magazine' (Russell Davies).
It was customary that each member or guest inscribe their initials into the surface lacquer-and Searle, in typical fashion, etched an elegantly gothic R.S.
Punch cartoonists Bill hewison and Russell Brockbank are observed in this 1962 Pathe newsreel on the magazine's cartoonists and the table.
In this video of out-takes the above 1961 cover can be glimpsed on the wall display bottom right
It was customary that each member or guest inscribe their initials into the surface lacquer-and Searle, in typical fashion, etched an elegantly gothic R.S.
The position of Searle's initials on the table can be determined from this diagram from the Punch Cartoons website. It's at the centre bottom.
On his first lunch at the Punch Table on the first of February 1956 Searle recorded the welcome exended to him and took note of where each were sat at the table:
Alan Agnew: 'The first business is to welcome to the table Ronald Searle. I'm sure we all hope he will enjoy our company and conversation as much as we shall enjoy having him with us.
A.A. Milne died the night before 'They replaced him quickly' said somebody.
Malcolm M. (Muggeridge) was on the ferry boat delayed from France, Russell (Brockbank) was in the editorial chair.
Basil Boothroyd - I'd like to add my personal congratulations now I'm not the youngest member.'
This last notation reinforces just how conservative the group was:
'First beard at the table since 1901. The last was E.T. Reed and he was sacked for homosexuality.'
Alan Agnew: 'The first business is to welcome to the table Ronald Searle. I'm sure we all hope he will enjoy our company and conversation as much as we shall enjoy having him with us.
A.A. Milne died the night before 'They replaced him quickly' said somebody.
Malcolm M. (Muggeridge) was on the ferry boat delayed from France, Russell (Brockbank) was in the editorial chair.
Basil Boothroyd - I'd like to add my personal congratulations now I'm not the youngest member.'
This last notation reinforces just how conservative the group was:
'First beard at the table since 1901. The last was E.T. Reed and he was sacked for homosexuality.'
Punch cartoonists Bill hewison and Russell Brockbank are observed in this 1962 Pathe newsreel on the magazine's cartoonists and the table.
In this video of out-takes the above 1961 cover can be glimpsed on the wall display bottom right
To celebrate this prestigious membership Searle bought himself a handsome 1955 1st edition of Picasso's Graphic Works. (Recently sold on eBay)
In this photo published in Russell Davies' biography of Searle we see James Thurber visit the Punch offices with a young Searle seated next to him on the left. One of his 'Heroes of Our Time' pictures hangs on the wall beyond him.
Labels:
Caricature,
Heroes Of Our Time,
Malcolm Muggeridge,
Picasso,
Punch,
Punch Table
Tuesday, August 20, 2013
Animation pt.2
I've been looking for a stop-motion puppet animated film made by Dutch animation pioneer Joop Geesink in Searle's style for YEARS! With the 100th anniversary this year of Joop Geesink's birthday a wonderful tribute website has been set up with the co-operation of Geesink's family. I contacted them about the 'Lemonhart Rum' ad the studio made in the late 50s and they told me they had it and put it online! So here it is, Searle's characters Mr Lemonhart and Mr Navy Rum vying for the affections of an attractive ice-skater!
As the site observes the spot was probably inspired by this print ad-
Searle, of course had several collaborations with animators. See his work with British stop-motion animator Ivor Wood here. His work on 'Energetically Yours' is here.
As the site observes the spot was probably inspired by this print ad-
Searle, of course had several collaborations with animators. See his work with British stop-motion animator Ivor Wood here. His work on 'Energetically Yours' is here.
Labels:
1958,
Animation,
Dollywood,
Joop Geesink,
Lambs Navy Rum,
Lemon Hart Rum,
Mr Lemon Hart
Wednesday, August 14, 2013
Berlin Wall
Ronald Searle's drawings of the Berlin Wall feature in a new exhibition on the Architecture of War at the Imperial War museum, London. I believe Searle bore witness to both the construction of the wall and the destruction.
'Die Mauer 6 - Berlin (Berlin Wall) Waving to relatives in the Eastern Zone' 8 October 1961
'Die Mauer 3 - Berlin (Berlin Wall) Near the Potsdamer Platz', 7 Oct 61
Within a short distance of the Potsdamer Platz, VOPOS patrol a double barrier of stone and barbed wire. Along this strip of no-mans-land an armoured car stands with guns at the ready. Stockpiles of teargas were at hand for the VOPOS.
'Die Mauer 2 - Berlin (Berlin Wall) East German Volkspolizei', 7 October 1961
Corner of Harzer Strasse. This VOPO guard, annoyed at being under observation, threatened to throw tear gas but was restrained by a West German policeman.
The drawings were published as a reportage spread in Punch magazine
A more humourous observation of the Wall was later drawn for LOOK magazine
"The Rise of New Nationalism in Germany" December 14, 1965
Reprinted in 'From Frozen North to Filthy Lucre'. New York: Viking Press, 1964, Page 59
Reprinted in 'From Frozen North to Filthy Lucre'. New York: Viking Press, 1964, Page 59
"Note that Searle has labelled Berlin twice, to make certain we can "read" the gag and perhaps also to show the two faces of Berlin, that of Communist propaganda and that of harsh reality. This was published roughly just after the closing of the New York World's Fair in October of 1965, so the idea of the American international fairground was still quite relevant. The Berlin Wall had been erected in 1961." - Stephen Nadler at Attempted Bloggery
'East Berlin' 1963
'Kaiserlautern'
Searle depicts 'kontrolle' guards yelling in vain at Beethoven in the pre 1990 German capital Bonn.
'Buxtehude'
(a town where the dogs bark with their tails- apparently!)
© Ronald Searle 1961, by kind permission of the artist and The Sayle Literary Agency
Friday, July 26, 2013
Searle In America fundraiser auction is LIVE!
Calling all Searle fans and cartoon & animation art collectors. The auction is launched! Over 70 cartoonists and animation artists from around the globe have contributed incredible hand-crafted artwork inspired by Ronald Searle's artwork.
Let's make a Ronald Searle retrospective exhibition happen in San Francisco!
To view and bid on the artwork go to the Cartoon Art Museum's eBay shop right here
Labels:
Auction,
Cartoon Art Museum,
San Francisco,
Searle In America
Wednesday, July 24, 2013
Searle exhibition in Tourtour
A small exhibition opened this week in Searle's adopted village Tourtour, haute Var, France. It focuses on his lithography ouvre featuring 12 prints.
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