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Friday, October 03, 2008

Meeting Ronald Searle

I had the pleasure of meeting Mr Searle recently & will post a full article here soon. There is a brief report on our conversation over at my personal art blog.

In the meantime here is Gerald Scarfe's account of his first encounter with his mentor:

'My mentor'

Gerald Scarfe on a fellow cartoonist's unknown influence
Interview by Deany Judd The Guardian, Saturday September 27 2008

'I was a sickly child and so often absent from school. Drawing was my way of expressing myself and I knew I was good because despite my absences, I was famous in my Welsh school for drawing a great Welsh dragon. Being a cartoonist wasn't really a career choice in those days - it still isn't - but I remember admiring Walt Disney's work and then I discovered the work of cartoonist Ronald Searle. He was most famous at that time for St Trinian's and his cartoons in Punch and his work resonated with me at once. I took one look at it and knew this was what I wanted to do.









 My problem was that I didn't know how to go about becoming a cartoonist - my father was in banking so I didn't get much encouragement there. When I was 14 I decided to take matters into my own hands. I lived in Hampstead and I found out that Ronald Searle lived in Bayswater. I decided I would cycle to his house and ask his advice. In my mind's eye I can still see his house - it was set back from the road with an arch-shaped green front door alongside which was a big brass doorbell.

I must have stood on that doorstep about a dozen times but was never brave enough to ring the bell. Despite this, Ronald Searle continued to be an invisible mentor to me - a beacon of what I could achieve. He was saying something through his cartoons either about politics or questioning what life is all about. There was a great truth to his work which I believed being an artist was all about.

I worked as a commercial artist for a while, which felt like I'd sold my soul to the devil - but I always yearned to emulate Ronal Searle. I sent cartoons to Punch and they were accepted immediately. When Private Eye began, Peter Cook and William Rushton encouraged my political cartooning and it was then that I could let myself fly.






Four years ago, on my birthday, we were in France and my wife took me to a restaurant. It was deserted except for another couple ... Ronald Searle and his wife. It was the most wonderful surprise. On my place setting was the most beautifully wrapped gift. He urged me to open it and inside this box was a brass doorbell with a note attached which said "please ring at any time". He really is the most delightful man and I now see him every year. 


Do I wish I'd rung that bell all those years ago? I don't know the answer to that, but I do know that I get up every morning and know how lucky I am to be doing a job I love.'

Friday, August 15, 2008

Advertising Part 2

Contributor Elliot Elam kindly sent me the following Searle illustrated ad that he found in the Taschen published 'All American Ads of the 70s'



Here are some more Searle ads from the 70s.


 'Two versions of a Christmas advertisement for panty hose.Watercolor and ink on illustration board, each signed lower right. Each 350x485 mm; 13 3/4 x19 inches' -Skinners







And here's one from 1967 for Rose's Lime Juice.
(New Yorker 11/4/1967)


Suntory Old Whisky 1981

These are much earlier-1950




1969 Minolta SR-T 101 Camera



    (Thanks to Brian Sibley for the early Guinness ad above)







'. . . here are a couple of obscure small-ads with drawings by Ronald Searle. These are taken from the June and January issues of 'Stitchcraft' magazine, from 1955. It must have been quite an interesting brief, to come up with ideas illustrating 'a clear case for Cash's woven name tapes.' These two ideas are fairly straightforward but they're nice drawings, and I particularly like that logo. The company is still trading, with a very similar logo, today. '
                                                                                                                                                    From the Non-Stick Plans blog
(Ronald Searle tells me this is wrongly identified-it's NOT his work.)


"Quick! - have a Bev!" - Bev Coffee Essance advert issued by J Lyons, London, 1950 

One of several brands of coffee and chicory essences made was 'Bev', produced by the then massive food empire that was J Lyons of Cadby Hall, London. 
Advertisement for United States Travel Service 1977


This is a more recent one from the 80s or 90s for Cadbury's Cream Egg 
(photographed from the original artwork)




More Searle advertising art here and here.
If anyone has any Searle related material to contribute please email me at the address 

Tuesday, August 05, 2008

Private Collections


Brian Sibley blogs about buying his original Searle here.


While in Los Angeles in November for the CTN-X conference I had the opportunity to see some originals in the collections of animation friends.  Disney animator Andreas Deja has several choice morsels:


Cover art for the eponymous Edwin Carp


"Yes, but have you seen the NEW Strand Magazine?"

Lucille Ball from TV guide, April 30th 1966

'Palm Springs' from HOLIDAY magazine, February 1965




Disney director John Musker owns this beauty


Cartoon Brew editor Amid Amidi is in possession of this beautiful cover illustration for the Big City




Uli Meyer in London just started his collection of Searle originals with this beauty.



Jesús Sánchez gave me a link to a gallery of his Searle originals. (If there is anybody else out there who would like to contribute photos, scans or any Searle related material please email me at the address in my Blogger profile.)


'Sorry Madam, no smoking in the museum' 1955

The above is a refined version of a gag Searle made over ten years earlier in 1944, below.




'My Life In Scotland Yard' Illustrated article by S.J.Perelman, HOLIDAY magazine, 1968
Pen & brush & ink, wash & purple watercolour.



New Yorker cover, 1994-unpublished. Pen & ink, watercolour, coloured pencil.



'Women'



'Workaholic'





Anonymous sent more shots of his collection of Searle originals. This is a beautiful example from Searle's Paris Sketchbook of Pere Lachaise cemetary.

Montmartre Cemetery 26 April 1961 -'Punch magazine approx 22cm wide x 29cm high (8 1/2 inch x 11 1/4 inch) A4



O.G. sent in this great scan of an early Searle in his collection, 'drawn with brown ink enhanced with blue crayon.'



Pete W. has sent me much better quality shots of his collection of Searle originals. He's included close-ups revealing details of the drawings displaying the subtlety of Searle's penwork.


This drawing also appeared in the book, "!The St. Trinians Story" without the finer rendering.






























R. Wiener found the following at a Massachusetts book auction:
Lucille Ball cover Artwork for the I Love Lucy  TV guide, April 30th 1966

 New York World's Fair HOLIDAY magazine 1964

Can anyone identify where this was published?

A contributor who wishes to remain anonymous has sent me these photos of his collection of Searle originals. The first I believe is thus far unpublished.








This one was never published like this, although another version became a postcard.