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Tuesday, April 15, 2008

Mint




 Thomas Rowlandson

Thomas Rowlandson sketching a concubine
Thomas Rowlandson embracing a concubine







George Cruikshank, pen and black ink sketch, over graphite, France, 1977

A preparatory sketch for a series of medals commemorating caricaturists from the 16th to the 19th centuries

Searle made this study of George Cruikshank (1792-1878) for Six Fathers of Caricature, a series of medals struck by the French Mint from 1976-77. The other artists commemorated are Carracci, Ghezzi, Hogarth, Gillray, and Rowlandson. All the related drawings are in the Department of Prints and Drawings , while the medals themselves were presented by the artist to the Department of Coins and Medals of The British Museum.

Cruikshank was a celebrated caricaturist in nineteenth-century England; succeeding Gillray as the country's leading political cartoonist. Today, however, he is best known for his illustrations to Charles Dickens's novels. The source of this sketch is a portrait by Daniel Maclise, the most frequently reproduced portrait of Cruikshank, published in Fraser's Magazine in 1833. Cruikshank disliked the portrait; he became a vigorous teetotaller and objected to Maclise's depiction of him sketching in a tavern, seated on a beer barrel with a tankard and pipe beside him. Searle's final design shows Cruikshank sitting outside on the barrel amidst a riot, the tankard removed.



Annibale Caracci



Annibale Carracci, study for medal, formerly in an album; head and shoulders of male figure, turned to front, looking to right, and wearing a hat





Pier Leone Ghezzi

Pierleone Ghezzi, study for medal, formerly in an album; half-length male figure, seen in profile to left, wearing a hat




Ghezzi and Lambertini, study for medal, formerly in an album; Pope Benedict XIV seen from behind sitting in a chair and holding an open book, standing before him Pierleone Ghezzi with his hat off



Pierleone Ghezzi, study for medal, formerly in an album; whole-length male figure, turned to right, and sitting with drawing board on his lap


Antonio Pisanello - 23rd FIDEM Congress Medal 1992 Bronze, struck
Commissioned by FIDEM (Fédération Internationale de la Médaille) in silver and bronze

'Searle wittily subverts the traditional medal format. Normally there is a portrait on one side and a symbolic image representing the virtue or achievements of the sitter on the reverse. When this medal is turned over, the reverse reveals the back of Pisanello's head.'





James Thurber-





British Art Medal Society (BAMS)

Charles Dickens


Searle made his first medals for the Paris Mint in the early 1970s. He has since executed several medals for BAMS, of which this was the first.




Searle's medal of James Boswell continues a literary theme that began with his medal of Edward Lear, modelled in 1975 and issued by the Monnaie de Paris, and has been apparent in two of the artist's BAMS medals: those of Charles Dickens and Samuel Pepys medals, which appeared in 1983 and 1984 respectively. On this witty new medal Boswell, the biographer of the great lexicographer Samuel Johnson, is portrayed on one side, pen in hand, whilst on the other he chases after the great man, notebook in hand so as to catch the doctor's bons mots. Like the earlier Dickens medal, the Boswell medal is being issued in two versions, both as a struck two-sided piece and as two large electroformed uniface works. The latter have been taken directly from the models produced by the artist in 1999, and their issue by the Society has been made possible by generous sponsorship from David Silich.


Samuel Pepys Esqr. Searle's witty view of the celebrated diarist.
1633-1703, facing portrait with Pepys taking an extravagant though humble bow on the reverse: BAMS issue 20, 1984, 71.5mm, high relief struck bronze













Bernini Getting the Message from the Angel of the Baroque. Searle's vision of the inspiration of the great Italian sculptor.





The artist has written that the medal can be seen as 'either a weeping paperweight, a tearful, fearful, separation object, a cry-by-night loveletter weight, or simply as an ex-voto, because it all turned out well in the end.'





The medal harks back to the artist's war-time experience as a prisoner-of-war working on the Thai-Burma railway. The artist wrote that he had tried 'to retain a certain naivety of interpretation rather in the spirit of medieval Dance of Death imagery. The approximate anatomy that one encounters in so many gothic frescoes has been applied to the anonymous bodies that make the sleepers of the railway line.'


L'Humour

This medal marked a new departure as the first of Searle's works to be conceived as a cast rather than as a struck medal.






The Taltarni Wine Award, 1993

The Taltarni Vineyards instigated an award for services to Australian wine industry and commissioned the artist Ronald Searle to design the prize medal. This example of the medal was presented to the Museum both of a medal related to the wine industry and as an example of late twentieth century medallic art.


Obverse – A cartoon-like representation of Bacchus, the god of wind, riding a Kangaroo with the legend TALTARNI AUSTRALIA and the signature of the artist.





Medal commemorating Vice-Admiral Horatio Nelson (1758-1805) and Trafalgar. Obverse: Bust of Nelson in uniform wearing a cocked hat bearing the Chelengk plume. (Right) signature of 'Horatio Nelson'; (left) signature of 'Ronald Searle'. Reverse: Nelson mortally wounded supported by Britannia and Captain Hardy on the deck of the Victory. Legend: 'Trafalgar HORATIO NELSON 1758-1805.'




Watteau



Tim Bobbin (John Collier 1708-1786)




Le Capitaine Francis Grose (1731-1791)





Romeyn de Hooghe (1645-1708)
Romeyn de Hooghe, study for a medal, formerly in an album; male head, turned slightly to left and looking to front. 
After Hendrik van den Bos 1978





Searle at seventy

The artist described this medal as a 'Medal in Commemoration of a Mini-drama. No. 1 in a series of Great Classical trivialities', and added 'I feel that it is rather appropriate that there can be an occasion when a satirist can deflate himself publicly and take a little of what he likes to deal out to others!' The snake around Laocošn forms the figures '7' and '0'.


William Hogarth, study for medal, formerly in an album; almost three-quarter length male figure, turned to right, and holding "The Meaning of/Beauty"


"Gillray/& Mrs Humphrey"
James Gillray and Mrs Hannah Humphrey, study for a medal, formerly in an album; both drawn in caricature, and both sitting at a table, Gillray playing cards, Humphrey holding a large sheet of crumpled up paper











Charles Philipon, study for a medal, formerly in an album; head and shoulders of a male figure, head seen in profile to left. 1978





Jose Guadaloupe Posada, Ronald Searle, La monnaie de Paris.












Sources: British Museum, Ebay

4 comments:

Mouse e Teclado said...

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illustrationISM said...

these are incredible! Thanx for sharing! I didn't know RS had this side! Inspires me...
I LOVE YOUR BLOG!

Mark Jaquette
mark @
ISM &
BAMm

Boonzy Mckenna said...

This is one of my favorite sites on the web. Thanks for yr hard work.Ronald Searle ,Quelle Genius.

Matt J said...

Glad you like what I'm posting here-it's interesting to see Searle working in three dimensions. These coins are the nearest Searle has come to sculpture I believe. Except for the models he made for the Chelsea Arts Ball in the Fifties. More on that in a future post.