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Thursday, January 24, 2008

More Dickens

Back to Charles Dickens for a post. The 'Scrooge' film was released in 1970 & Searle was hired to provide the title artwork no doubt in part due to his illustrated version of the novel published previously in 1961.































'At the Fezziwig ball, Mrs. Fezziwig.'







The December 19th, 1960 issue of LIFE Magazine had a special spread promoting the release of the Searle illustrated Christmas Carol.









Searle's version of 'A Christmas Carol' must have been successful because it was swiftly followed by Searle illustrated editions of 'Great Expectations' and 'Oliver Twist' both published in 1962.










SIGNED, INSCRIBED WITH TITLE AND ‘OLIVER TWIST: CHARLES DICKENS’, AND DATED 1965
INSCRIBED WITH PUBLISHING DETAILS ON REVERSE
PEN INK AND MONOCHROME WATERCOLOUR
8 1/2 X 10 INCHES
ILLUSTRATED: EXPLORING LONDON: A SHELL JUNIOR GUIDE, LONDON: EBURY PRESS/GEORGE RAINBIRD, 1965, PAGE 18 ‘HISTORIC LONDON, DICKENS HOUSE’, PAGE 18

Sykes from 'Oliver Twist'.


'Bumble arrayed', The Humour of Dickens, 1952





"Searle . . . found Dickens exhausting to do. 'Ideally Dickens should have no illustrator . . . by tradition he always has . . . Technically the drawings are deliberately fussy and nervous in line - a direct reflection of the exploratory sketches which were made during the second reading of the book and were, so to speak, hot from the 19th-century oven. The limitations were: that the drawings could only be in line and were to be reproduced in a small book on poor quality paper. Which they were."





A COLLECTION OF MATERIAL RELATING TO ILLUSTRATIONS FOR WORKS BY CHARLES DICKENS, COMPRISING:
i) montage of fourteen cuttings of numerous ink sketches for Oliver Twist, Great Expectations and The Humour of Dickens, including Pip and Magwitch, Pumblechook choking on brandy, Miss Havisham, Mr Bumble and Bill Sykes, 555 by 690mm., framed and glazed, some fading; ii) workbook for Great Expectations and Oliver Twist, c.40 pages of autograph notes relating to characters and their appearance, original cloth-backed boards; iii) sketchbook for A Tale of Two Cities, c.35 pages of preliminary ink sketches and autograph notes relating to characters, original cloth-backed board, lacking lower cover; iv) publisher’s galley proofs for The Tale of Two Cities, c.210 leaves, annotated by Searle, some tears and creases, some browning; v) workbook for A Christmas Carol, c.25 pages of autograph notes and a few preliminary sketches, loose leaves disbound; vi) two rough tracings of dust-jackets for Oliver Twist and Great Expectations, with notes in Searle’s hand, ink on acetate, folded; vii) two rough sketches, including pencil rough sketch from Oliver Twist, 284 by 200mm.; viii) copies of A Christmas Carol (Perpetua, 1961), Oliver Twist (Joseph, 1962) and Great Expectations (Joseph, 1962), all 8vo, original cloth, dust-jackets (qty)



THE ILLUSTRATED LONDON NEWS magazine dated November 28 1970 - front cover design by RONALD SEARLE.







Rough sketch for 'The Humour of Dickens'

Monday, January 07, 2008

Yet another Searle exhibition. . .


Ronald Searle: 'A Celebration' Exhibition Details

Open 10 January to 13 February 10:00 to 16:00 Monday to Friday


Ronald Searle has been described as the greatest graphic artist of our time. His distinctive brand of visual commentary and satire has been familiar to generations through seven decades of continuous output. Born in Cambridge in 1920, Searle attended Cambridge School of Art from 1936- 1939. He said of this time, 'At the Cambridge School of Art it was drummed into us that we should not move, eat, drink or sleep without a sketchbook in the hand. Consequently, the habit of looking and drawing became as natural as breathing.'

His studies were interrupted by the outbreak of war. He was captured by the Japanese and spent much of the war as a prisoner. During this time he secretly produced a body of drawings that record in graphic detail the misery and degradation of this experience. The drawings are now held at the Imperial War Museum.

After the war, Searle forged a highly successful career as a humorous artist whose range would span the hugely successful Saint Trinian's characters (about to be revisited in the form of a new film), gritty documentary/reportage drawing to the hard-hitting political comment for which he would most wish to be remembered.

Since the early 1960s Ronald Searle has lived in France, where he has received numerous awards for his work and been honoured with major retrospective exhibitions of his work.

This exhibition is a tribute to Cambridge School of Art's greatest living alumnus.

Location:
Ruskin Gallery, Anglia Ruskin University, East Road, Cambridge




Anglia Ruskin exhibition pays tribute to St Trinian’s originator Ronald Searle
As cameras are rolling on the latest film in the St Trinian’s saga, Anglia Ruskin University is preparing to pay tribute to the originator of the cartoons on which the films are based in the form of a stunning exhibition of his life’s work.

The first film, staring Alastair Sim and Joyce Grenfell, was made in 1954 and it chronicled the unruly adventures of the ‘school for young ladies’. Now being revisited by top names including Rupert Everett, Colin Firth, Russell Brand and Stephen Fry, it is bringing Ronald Searle, a former student of the Cambridge School of Art - which now sits at the heart of Anglia Ruskin University - back into the media spotlight.

The exhibition 'Ronald Searle – A Celebration' will be open on 10 January at the Ruskin Gallery on the University’s Cambridge campus, to follow the launch of the film, planned for release on 21 December 2007. The show will feature the legendary graphic artist’s St Trinian’s cartoons along with his famous political sketches and truly sobering wartime illustrations.

Ronald Searle has been described as the greatest graphic artist of our time. His distinctive brand of visual commentary and satire has been familiar to generations through seven decades of continuous output.

A caricaturist, cartoonist, illustrator, designer and publisher, Ronald Searle was born in Cambridge in 1920, the son of a railwayman, and educated at Boy’s Central School, Cambridge. He started work as a solicitor’s clerk, before studying in the evenings and later full time at Cambridge Technical College and School of Art (1936- 1939) . He said of this time, 'At the Cambridge School of Art it was drummed into us that we should not move, eat, drink or sleep without a sketchbook in the hand. Consequently, the habit of looking and drawing became as natural as breathing.'

While studying, Seale had his first professional work published in the Cambridge Daily News (now the Cambridge Evening News) from 1935-39 (where his predecessor was Sidney Moon) and Granta. They were signed R.W.F. Searle.

His studies were interrupted by the outbreak of war. He was captured by the Japanese and spent much of the war as a prisoner. During this time he secretly produced a body of drawings that record in graphic detail the misery and degradation of this experience. The drawings are now held at the Imperial War Museum.

After the war, Searle forged a highly successful career as a humorous artist whose range would span everything from the hugely successful St Trinian's characters to gritty documentary/reportage drawings, and the hard-hitting political comment for which he is most keen to be remembered.

Said Martin Salisbury from Anglia Ruskin University: ‘Since his time as a student at Cambridge School of Art, Ronald Searle has been an inspiration to generations of art students. His work sits within a particular tradition in Britain of graphic satire and he is often referred to as the 'artist's artist' within this genre. Although best known by the public for his creation of the St Trinians phenomenon, his work as a biting political and social commentator may perhaps be the more lasting contribution to the arts.’

Commenting on the exhibition, Anglia Ruskin University’s Vice Chancellor Professor Michael Thorne said: ‘This prestigious exhibition is a fitting tribute to the Cambridge School of Art's greatest living alumnus.’

‘While Ronald is unable to attend this fabulous celebration of his life’s work, he is working very closely with us to give us access to his entire catalogue. We are also borrowing some prints from some very famous celebrities who are fortunate enough to own some of his work.

‘This will be one of our finest exhibitions yet.’

Since the early 1960s Ronald Searle has lived in France. Now in his late 80s, he has received numerous awards for his work and been honoured with major retrospective exhibitions of his work.

He was presented with an Honorary Doctorate of the University by Anglia Ruskin University and will be putting his name to a student prize, The Ronald Searle Award for Creativity in the Arts, during 2008.

For more information please contact c.langton@anglia.ac.uk or visit
www.anglia.ac.uk/searle