'The Mahogany Tree'

British satirical magazine Punch famously had a table installed at their offices where the subject of the week's political cartoon would be decided.  A seat at the table was strictly reserved for members only but on the 7th April 1953 Searle was the first guest since Mark Twain to be permitted to observe proceedings.  He was later to become the youngest member of the Punch cabal, his beard only just tolerated by the older men!  'At the invitation of the new editor, Malcolm Muggeridge, a self- confessed 'addict' of Searle's work who wished to bind him closer to the magazine' (Russell Davies).

It was customary that each member or guest inscribe their initials into the surface lacquer-and Searle, in typical fashion, etched an elegantly gothic R.S.

The position of Searle's initials on the table can be determined from this diagram from the Punch Cartoons website.  It's at the centre bottom.

On his first lunch at the Punch Table on the first of February 1956 Searle recorded the welcome exended to him and took note of where each were sat at the table:

Alan Agnew: 'The first business is to welcome to the table Ronald Searle.  I'm sure we all hope he will enjoy our company and conversation as much as we shall enjoy having him with us.

A.A. Milne died the night before 'They replaced him quickly' said somebody.
Malcolm M. (Muggeridge) was on the ferry boat delayed from France, Russell (Brockbank) was in the editorial chair.
Basil Boothroyd - I'd like to add my personal congratulations now I'm not the youngest member.'

This last notation reinforces just how conservative the group was:
'First beard at the table since 1901.  The last was E.T. Reed and he was sacked for homosexuality.'

Punch cartoonists Bill hewison and Russell Brockbank are observed in this 1962 Pathe newsreel on the magazine's cartoonists and the table. 

In this video of out-takes the above 1961 cover can be glimpsed on the wall display bottom right

To celebrate this prestigious membership Searle bought himself a handsome 1955 1st edition of Picasso's Graphic Works. (Recently sold on eBay)

In this photo published in Russell Davies' biography of Searle we see James Thurber visit the Punch offices with a young Searle seated next to him on the left.  One of his 'Heroes of Our Time' pictures hangs on the wall beyond him.

Searle's Artistic Heroes

Searle himself has been inspired by a wide array of artists, cartoonist and caricaturists. Searle's own private collection of art contains works by Caracci, Cruickshank, Grosz, Gillray,

There are a handful of key artists and cartoonists whose influence can be detected in his work.
Searle certainly owes a debt to contemporaries such as Andre Francois, Sempe and of course Saul Steinberg.

'Homage au Steinberg'

Through his 50s imprint Perpetua Searle published an academic volume on Toulouse Lautrec and later an illustrated hommage to the short statured ladies man.

In 1977 Searle made a series of studies after Watteau for a medallion design he was working on for the French Mint.

Perhaps Searle's greatest idol is of course Picasso.  He made a couple of Punch covers in a Picasso-esque style and even a series of portraits of Picasso in the style of other modern masters.

Punch 29th June 1960

Photographs of the originals in the Searle Archive, Hanover

Portrait of Picasso in the style of Henry Moore

Portrait of Picasso in the style of Graham Sutherland

Portrait of Picasso in the style of Augustus John

Portrait of Picasso in the style of John Bratby

Punch 24th October 1956

Searle seemed to take great delight in working in a Picasso-like fashion. Punch valued Searle's contribution such that it wouldn't surprise me if it was his idea to make these hommages to the greatest living painter of the time.

A Picasso-esque interpretation of John Everett Millais' 'The Boyhood of Raleigh'

Sir Edwin Landseer's 'Monarch of The Glen' 

Franz Hals' 'Laughing Cavalier'

Ever versatile Searle emulates Francis Bacon and L. S. Lowry for a Punch satirical 'Arts Takeover'

Riffing on Frans Hals' 'The Anatomy Lesson' for the 1955 Punch Almanack's 'Christmas Cards: An Advance Selection II'

'It was Christmas Day in the Workhouse' in the style of Graham Sutherland for the 1955 Punch Almanack

In this illustration for TV Guide again we see Searle using Picasso's motifs, in this case elements of 'Guernica'


See also Stephen Nadler's article on a 'triplicate' cartoon from The New Yorker featuring Searle