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Tuesday, March 03, 2020

Searle Centenary


 March 3rd marks the centenary of Ronald Searle's birth. The Searle archive in Hanover will host a special exhibition opening in April 'Searle 100'. Chris Beetles' gallery in London has a brief selling show of Searle originals.

Rizzoli Publishing in NYC recently released a lavish book on iconic travel mag HOLIDAY written by Pamela Fiori. It beautifully reproduces covers and articles from the magazine's hey-day in the 1960s. The magazine used many illustrators but the book highlights three; Hirschfeld, Bemelmans and Searle. Publisher info here and you can preview it here



More on Searle and HOLIDAY here

London-based animator and film-maker Uli Meyer has finished a test sequence for a proposed feature film of Searle and Willans' 'Molesworth' which he will be pitching at Cartoon Forum. The teaser will go online March 5th.


Ronald told me that he fully expected to live to 100 and I didn't doubt it as robust as he was in his ninth decade. But after his wife, Monica, passed away he joined her six months later. It was a real honor to know them at both at the end of their lives and hear the stories from lives well-lived. Raise a glass today to a giant of illustration and cartooning - the maestro Ronald Searle.

From Sydney's Daily Telegraph:



Tuesday, January 21, 2020

Searle's Centenary!

Happy new Year! March 3rd, 2020 is the centenary of Ronald Searle's birth. The first institution to celebrate will be the Wilhelm Busch museum in Hanover which houses the Searle Archive.

Details translated from this article.


'From April 18 to July 5, the Museum Wilhelm Busch celebrates the 100th birthday of the English illustrator Ronald Searle, whose artistic legacy the museum preserves as a permanent loan from the Lower Saxony Foundation.

Formative experiences in the Second World War made Searle a traveler and seeker, always curious about the people and what drives them. The so-called "Ronald Searle Archive", located in the museum, is therefore more than "just" an archive: It encompasses the majority of Ronald Searle's eight decades of artistic oeuvre, his collection of historical caricatures, his specialist library and the actual archive with diaries and personal notes, project sketches, specimen copies and correspondence with fellow artists and publishers. It also contains historical artist correspondence such as that of the English cartoonist George Cruikshank (1792-1878).

This complex inventory makes it possible to work out and present a variety of connecting lines between the individual collections. The exhibition draws from the abundance of this archive with the aim of providing visitors with intensive insights into a complex artist's personality along central geographic anchor points from Singapore to England and Germany to Tourtour in France and two themed islands on "Animation" and "Private Life" To tell contemporary history. Access to the museum's online collection gives an insight into the immediate work with Ronald Searle's estate. The exhibition is accompanied by a catalog with numerous illustrations. It is funded by: Lower Saxony Foundation.



Sunday, December 15, 2019

Reindeer

One of Searle's long running 'characters' was the reindeer which he used to great comic effect on multiple occasions. A relative of Searle's similarly pathetic horse motif, the reindeer says everything about the human condition.

 Young Elizabethan magazine, January 1959

 Neiman Marcus Christmas catalog

 This later cover was used as the basis for this promotional snow globe.
...and here's a version of the image sans reindeer





Holiday magazine


Christmas card design 1992

This piece is in the art collection of the British Parliament 'The ancient and rather touching ceremony of proceeding towards Christmas' 2009

More Christmas ephemera here

Grosz

A seminal influence on the young Ronald Searle was the work of George Grosz. Apparently he took a small book of Grosz's work to war when he enlisted. Recently sold at auction: an original drawing given to Searle by the wife of one of his artistic idols George Grosz.



GEORGE GROSZ (GERMAN 1983-1959)
FEMALE NUDE

Taken from a sketchbook dated 1912/1913, with pencil inscription from the family of the artist to Ronald Searle, pen and ink on paper
The sheet 23cm x 18cm (9in x 7in)
Note: The work is inscribed 'for Ronald Searle, To remember the placing of the Grosz plaque in Berlin on 6 December 1977, from Martin and Peter Grosz and his wife'. It is also inscribed by Ronald Searle to the reverse 'by George Grosz, taken from a sketchbook, dated 1912/1913, by Peter Grosz, Berlin, 7 December 1977, RS.'

Wednesday, November 20, 2019

American Gothic








 Searle's 'Atlantic City' sketchbook.


  Searle's 'Catskills' sketchbook.






  Searle's 'Hawaii' sketchbook.






Wednesday, November 06, 2019

Correspondence


Illustrated Autograph Letter Signed, to Irving, thanking him for the Eliot cutting and hoping to visit, joking that they were going to send a dove out to look for him instead of dry land. With a large illustration of a man holding a balloon. 1 page, single large 8vo sheet; mat burn. London, 27 September 1948 




British Artist and Satirical Cartoonist. A.L.S., Ronald, one page, 4to, London, 30th July 1952, to Nicolas Bentley ('Dear Nick') on the printed stationery of Perpetua Limited. Searle informs his correspondent that he didn't fully enjoy a book, commenting 'It's difficult when you dislike almost every character. Still - it was interesting - and well written.' He further informs Bentley that he has to go away until the end of August on a couple of features, 'but meanwhile you could be looking out a drawing which would make an American laugh for £10', explaining, 'The wife of a big New York advertising man (Mr. Henry Bach of Henry Bach Associates!) [Inc. Inc.] wants me to get for her one or two originals of cartoons to hang in their apartment over there. (no commission!) She fell in love with your trotting passenger in the Sedan chair - but we weren't parting with it. So anything like.' In concluding Searle asks 'Did I tell you we are doing the odd book under this firm? Our first on dramatic criticism, critics and such subjects will be out in October and we hope it will sweep the profession! If it doesn't we'll have to give it away with ice creams in the Interval. Any way we are thoroughly enjoying ourselves.' VG
Nicolas Bentley (1907-1978) British Author and Illustrator, best known for his humorous cartoon drawings in books and magazines of the 1930s and 1940s.



British Artist and Satirical Cartoonist. A.L.S., Ronald, two pages, 4to, Paris, 21st June 1975, to Nicolas Bentley ('Dear Nick'). Searle states that he was delighted to hear from his friend and remarks 'I don't know a thing about the OMNIBUS film & haven't seen it....So it was marvellous to have a spontaneous reaction like that from you & to know that you didn't consider it a waste of time to have chatted out once and for all some of those thoughts that go round in the head - but are usually kept out of sight. I must confess I hesitated over the idea for a long time because I much prefer to remain a private person. People call it 'secretive'. But it is not. I'm all for cutting out the inessentials & getting some peace & quiet.' Searle continues to refer to his wife's illness and further adds 'By the way - she is a great detective fiction buff. A couple of weeks ago she tracked down a first edition of Trent's Last Case through a second hand bookseller & she asked me to tell you how much she enjoyed Floating Dutchman. Now she is chasing your others as it made her thirst to read more. She combs almost every second hand bookseller's catalogue in GB. Her form of regular treasure hunting.', also commenting on his own work, 'I get tired too easily now. I work more tranquilly now - & the work may be better for it. But noise drives me mad & I am obviously showing signs of wear.' In concluding Searle reflects 'And why didn't they knight you instead of the amateur Lancaster? Shaming I thought, that the only signs of recognition to the profession - apart from Low on his deathbed - in the last 20 years, should be Giles & Osbert. Or do they only read the Daily Express? Pathetic.' A letter of interesting content. 



British Artist and Satirical Cartoonist. Vintage signed and inscribed 9 x 7 photograph of Searle seated outdoors in a full length pose alongside another gentleman. Signed in bold blue fountain pen ink across a light area of the image, 'To Walter Alford, Souvenir of a pleasant 'Monte Carlo' day in Rome, with best wishes, Ronald Searle' and dated August 1968 in his hand.











Typed Letter to (Searle's secretary) Jean Ellsmoor Monday 30 October 1961-Chris Beetles Gallery




'One page, 242 x 190mm, printed letterpaper, illustrated with a sketch showing the Belles of St Trinian's and Miss Fritton.

A letter from Ronald Searle to the writer and broadcaster Arthur Marshall featuring his most famous creation  the Belles of St Trinian's  caught in a moment of mischief. 'St Trinians send you their very best thanks and good wishes for a charming reception. Their activities sounded so much funnier than we, as founder, thought they were on paper! – and they enjoyed it very much'.

In 1949, the year after the present letter was written, Ronald Searle collaborated with the writer and broadcaster Arthur Marshall (1910-1989) on a feature for a Christmas edition of Lilliput 
magazine; Marshall supplied the words for 'Look Out King Wenceslas', which was then illustrated by Searle. After Searle, Marshall was perhaps the best-known parodist of life in British girls' schools at the time, though his broad career would later extend across radio, television and the stage.' - Christie's














Typed Letter Signed (“Monica & Ronald”) to “Dear Francois” [the noted French cartoonist and illustrator Francois Lejeune, better known by his nom de plume, Jean Effel], telling him he has received a letter of invitation from M. Chevignard, and hopes to see Jean and Madame Effel at the celebrations in June, for which he has agreed to design the menu.
1 page 4to, 4 rue Antoine-Dubois, Paris, 28 March 1967.                                          

A delightful letter, written mostly in English, with bracing dash of Franglais.
We have just come back from our week of work in the Haute Savoie where there was too much snow 20000 metres up there on the mountains! Also we have both managed to catch the grippe!
However . . . despite a head that turns I wanted to tell you that I have received a further letter from Monsieur Chevignard. In it he proposed that our invitation should be extended for the “CHAPITRE d’ETE” on the 17th June – which is also a reunion for the “Marins”.
In his letter he also extened [sic] a person [sic] invitation for Monica and indicated that both you and Madame Effel might be able to accompany us. I do hope so. It would be marvellous if we could all be there together.
I have written to Monsieur Chevignard today, thanking him and accepting the invitation for the 17th June.
I have also agreed to design the menu for that evening.
We hope that you are having a marvellous time and enjoying the air of the Manche.
Breath deeply . . . “

Monsieur Jacques Chevignard, who extended the invitation, was at the time Secretary General of the Confrérie du Tastevin, a society which promotes all things Burgundian, but most especially its food and wine. There is no doubt that the invitation, and the task of designing the menu, would have appealed greatly to Searle, who produced the memorable volume, The Illustrated Winespeak.
Searle’s handwritten part of the message – “Dear Francois –“, “-As ever Monica & Ronald” and the underlining of “marvellous” – are all in pink felt-tip, very typical of the late 1960s.
There is a very small tear at the left edge of the bottom fold of the letter, and the lower left-hand corner is somewhat crumpled, but does not touch the text.